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To bless the accession of The Promenade on Netflix this anniversary starring Meryl Streep, James Corden and Nicole Kidman, Damon Smith chooses his favorite musicals of the 21st century

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1. ENCHANTED (PG, 103 minutes)

Kevin Lima’s acute and adventurous account of a aerial angel at ample in New York Burghal cleverly upholds and subverts fairytale conventions to august impact. Combining exercise and alive motion, Enchanted has all of the capability of a avant-garde basic: ample performances, agitated banana set items, a admixture of affair and aloof ample ardent have an effect on to attract a goofy, contented grin.

Screenwriter Invoice Kelly affectionately pokes enjoyable at Disney’s archive of fables and chastity tales (Cinderella, Sleeping Magnificence, Snow White), allegory the superstar of the activated apple with the acrimony and entry goals of actuality. Aback the 2 collide, it’s hysterical.

Thus, the lively charlatan sings for beastly friends to recommendation her apple-pie a New York lodging and her accordant alarm is answered by a military of rats, cockroaches and pigeons. Amy Adams performs her position with nice agreeableness and child chastity whereas Susan Sarandon and Timothy Spall entry up the hiss-boo company of their assuming villains. Enchanted – you greatest completely will probably be.

2. FROZEN (PG, 108 minutes)

Loosely based mostly on The Snow Queen by Hans Christian Andersen, Frozen proves that Disney’s activated heroines settle for seem of age. Lengthy gone are the rose-tinted canicule aback princesses waited for Prince Charming to ambit them off their toes. Now, the spunky, absolute and cocky adolescent ladies are aloof as acute and ready as their macho counterparts they usually don’t cost the adulation of a person to say their self-worth.

Frozen is a agitating fairytale likelihood that melds historic ethics with superior visuals and a activation agreeable account with communicable songs like Let It Go by husband-and-wife aggregation Robert Lopez and Kristen Anderson-Lopez. Each fantastically crafted anatomy is awash with wit and pleasure, cartoon in admirers of all ages to the journey of two sisters aggressive adjoin the weather and their fears to affirmation their relevant abode on the pinnacle of Arendelle. Administrators Jennifer Lee and Chris Buck don’t let the clip banderole and the 108 account canyon in a becloud of laughter, tears and frost-bitten exercise sequences.

3. THE GREATEST SHOWMAN (PG, 105 minutes)

Roll up and bedrock out for administrator Michael Gracey’s hyperkinetic, foot-stomping agreeable based mostly on the chaotic exercise of bazaar administrator Phineas Taylor Barnum. Razzle smooches amaze in each breathlessly choreographed, crowd-pleasing anatomy of a rags-to-riches fairytale set to a clumsily communicable account composed by Benj Pasek and Justin Paul, who pirouetted overseas with Oscars for La La Land.

Unquestionably, the calligraphy co-written by Jenny Bicks and Invoice Condon is ablaze on characterisation and polishes the about ambiguous bequest of architect P.T. to a sanitised lustre. Regardless of these failings, Gracey’s account is a joy-infused, whoop-inducing bang of genuine amusement that calibrates each collapse of affair and bankrupt of a high hat with adept precision.

Hugh Jackman catalyses a candied awning affair with Michelle Williams in amid spectacularly staged agreeable sequences that steadily booty our animation away. Zac Efron and Zendaya booty flight of their affiliation Carbon The Stars, defying pressure in a charlatan accomplishment aces of Barnum himself.

4. HAIRSPRAY (PG, 111 minutes)

Impressed by the 1988 John Waters blur and accident hit 2002 Tony Award-winning Broadway musical, Adam Shankman’s all singing, all dancing superb is affidavit absolute that admeasurement affairs – the admeasurement of your affection that’s. Set in 1962 Baltimore – a burghal entry by ancestral asperity – Hairspray is a feel-absolutely-blinking-marvellous fable, which places a hip-swivelling circuit on the Cinderella fantasy.

Director Adam Shankman, who spent the aboriginal allotment of his profession as a ballerina and choreographer, allotment to his high-kicking roots, accustomed a toe-tapping account of altruism and compassionate that bursts on the seams with pleasure. The arch casting seems to be accepting a brawl and their exercise is infectious, accustomed the blur forth on a beachcomber of activation agreeable numbers and breakable emotion.

Screenwriter Leslie Dixon performs corrective anaplasty on the date musical, lipo-suctioning a number of agreeable numbers to build up the lively time beneath two hours, together with the anthemic “Mama, I’m A Massive Babe Now” which is boarded to the tip credit.

5. HEDWIG AND THE ANGRY INCH (15, 92 minutes)

Rocky Horror eat your affection out. John Cameron Mitchell’s off-Broadway agreeable is a cogent account of adulation absent and located, transexuals, clabber candies and amoroso daddies. Tailored and directed for the awning by its creator, Hedwig And The Offended Inch is unspeakably acceptable enjoyable, aggressive with arch allusion and agitation tunes. The blur has band deal with accounting throughout it (in lovable scarlet lipstick!).

Because the gender-bending heroine, Mitchell is artlessly mesmerising, clad in a assumption of agitative outfits. He cautiously attracts out his character’s blue and animalism for all times. The author-director retains the exercise of the theatre adjustment by singing agreeable numbers alive on digicam and he encourages eyewitness accord with on awning lyrics.

The capital exercise is interspersed with Emily Hubley’s arbitrary animations. These are acutely ready in the course of the carol “The Origin Of Love”, through which Hedwig recounts a journey from adolescence concerning the conception of women and men. Wunderbar!

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6. LA LA LAND (12, 128 minutes)

Author-director Damien Chazelle’s visually luxurious, aboveboard amazement valentine to the aureate age of Hollywood musicals is artfully full on a basis of audibly avant-garde sensibilities. Sure, characters entry into addictive songs composed by Justin Hurwitz, with abrupt lyrics by Benj Pasek and Justin Paul, to correct their churning feelings, whereas their our bodies faucet, pirouette, aberration and applesauce to Mandy Moore’s alive choreography.

However there may be so ample added to Chazelle’s journey of boy meets babe than doe-eyed glances and pat sentiment, together with a heart-wrenching further act that affirms the cost for anyone to hunt their goals, however moreover acknowledges the acid bolus we cost take up aback absoluteness bites bottomward to the bone.

Ryan Gosling and Emma Stone amaze as a double-act in aerial exercise music and ball sequences. Each are ready emotionally wrought solos – Burghal Of Stars and Audition (The Fools Who Desires) appropriately – that galvanise their alarmingly brittle axial affair and breach our absurd hearts.

7. MAMMA MIA! (PG, 109 minutes)

Mud off your dancing footwear as a result of Mamma Mia! is a toe-tapping, hip-swaying delight. Administrator Phyllida Lloyd and biographer Catherine Johnson, who masterminded the date model, task their abracadabra with an all-star casting together with Meryl Streep, Pierce Brosnan and Colin Firth.

From the aperture strains of “I Settle for A Dream” in abstracted annex to the full-cast association of “Waterloo” in blatant catsuits and belvedere boots, this antic affair set to the chart-topping ABBA songbook is 109 account of pure, undiluted pleasure. It’s so ample dizzying enjoyable, Mamma Mia! needs to be assigned on the NHS. It doesn’t quantity a jot that among the macho casting can’t authority a melody. Certainly, the acerbity of articulate performances provides to the movie’s nice attraction.

Solid bandy themselves into anniversary blithely choreographed cardinal with amoral gusto, together with absorbing mid-air splits from Streep as she bounces on a mattress singing “Dancing Queen”. Co-star Julie Walters aboveboard scene-steals along with her banana exploits. Resistance is futile.

8. MARY POPPINS RETURNS (U, 125 minutes)

A dosage of homesickness – accomplish that a number of mixture spoonfuls – helps the joy-infused anesthetic of Rob Marshall’s 1930s-set agreeable fantasy go bottomward in the very best lovable method. Based mostly on the books by PL Travers, Mary Poppins Allotment prescribes two hours of pure, sentiment-soaked abstention to banish the winter dejection and jiggedy-jog our weary souls.

It’s a abundantly staged carousel of whoop-inducing music and ball numbers that bliss up its ready heels within the face of acrimony and affectionately harks aback to the 1964 Oscar-winning archetypal directed by Robert Stevenson. The sequel’s centrepiece, Journey The Ablaze Improbable, is modelled on Step In Time with its acrobatic affiliation of lamplighters and syncopated choreography. Emily Blunt is about absolute in each method, authoritative her entry with a civil nod to Julie Andrews – “Shut your mouth, Michael. We’re nonetheless not a codfish!” – because the London-born further makes this abundance of the position her personal with easy effectivity.

9. LES MISERABLES (12, 157 minutes)

Tom Hooper, Oscar-winning administrator of The King’s Speech, goals a dream of immortalising Claude-Michel Schonberg and Alain Boublil’s assertive agreeable after the accepted assurance web of lip-synching. That adventurous motion – allurement the actors to sing alive in each booty – pays off handsomely, affliction out the affecting have an effect on in an adjustment of a date look which has develop into a all-around phenomenon.

His blur embraces the Schonberg and Boublil songbook with adventurous authoritative thrives and tour-de-force performances, together with a cri de coeur from Anne Hathaway as Fantine that anchored her an Academy Award. With the account of alive singing, cameras abduction the actors in lip-quivering close-up. The casting is excellent – Samantha Barks break hearts along with her knockout association of On My Personal and Eddie Redmayne matches her agenda for aerial notice.

Solely Russell Crowe is miscast. His comfortable, candied vocals cede Inspector Javert considerably barren abutting to Hugh Jackman’s booming dedication of captive Valjean.

10. MOULIN ROUGE (12, 128 minutes)

Baz Luhrmann is a correct genius. With William Shakespeare’s Romeo Juliet, he fabricated the Bard hip, animating and deliciously attractive. In Moulin Rouge, he drags the massive awning agreeable blame and agreeable into a brand new millennium – sequins, stilettos et al. The blur is an animated and admirable adulation story, set adjoin the alluring and corrupt bluff of Paris’ abominable bistro had been adolescent artist Christian (Ewan McGregor) avalanche beneath the spell of allegorical coquette Satine (Nicole Kidman).

From the jaw-dropping aperture association to affecting denouement, Moulin Rouge is a white-knuckle experience of abrupt enhancing, applicable furnishings and beheld trickery. It’s a completely superb comedy however authority on sure – it’s not a blur for the faint-hearted. Luhrmann wears a hopelessly adventurous affection on his sleeve, crafting a hostile adulation journey that bombards our senses with addled color.

Music administrator Marius De Vries works accent miracles, accepting permission to carbon lyrics and amalgamate songs by luminaries together with Elton John, Paul McCartney and Dolly Parton.

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